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Miriam Sentler
The Chase
14.08.2021

Miriam Sentler
The Chase
14.08.2021

an artist talk and auditive performance

 

guest speakers: Drake Stoughton, Johan Schoonaert

 

CIAP invites Miriam to be the next guest to animate a piece of public furniture — the heated daybed, realised on the C-mine site by Ciel Grommen and Maximiliaan Royakkers. Departing from the question of how to inhabit the ‘disturbed landscape’of Winterslag, their project Le Paysage Ménagé provided both a physical and theoretical framework for future interventions on site. Miriam Sentler’s talk and auditory performance is the second episode in the series of events planned on and around the heated daybed, and bringing together its different users.

 

 

PROGRAMME

  • 3.00-4.00 PM  Artist talk and Q&A with Miriam Sentler and composer Drake Stoughton
  • 4.00-5.00 PM  Walk through Winterslag with ornithologist Johan Schoonaert
  • 5.00-6.00 PM  Listening to The Chase at the heated daybed

 

 

The Chase is an audio installation Miriam realised in 2020, in collaboration with composer Drake Stoughton and with the help of ornithologist Dr. Kees van Oers. The work evolves around the memories of some of the older villagers of Keyenberg (DE), a village which will soon be excavated due to the expansion of the North-Rhine Westphalian lignite industry. Those villagers and keen bird observers have reported the loss of a large variety of birds, triggered by the forced resettlement of villages and destruction of nearby forests. The missing of natural, site-specific flora and fauna results in ‘solastalgia’ – a particular feeling of loss first identified by the Australian philosopher Glenn Albrecht. The initial reason for exploring contemporary forms of this feeling was the disappearance of Langendorf, the village in which Miriam’s grandfather was born, tearing a geographical hole into her own family history.

 

The work examines and highlights a unique composition of birds present within this disappearing landscape. In collaboration with composer Drake Stoughton, a score was made, in which the musician follows the melody of the birdsongs in an attempt to ‘match’ individual sounds with the right notes and thereby ‘map’ them. The composer’s inability to keep track of the birds represents the problem of archiving the natural, resulting in an auditive play (or chase) between the archived and the archiver. The publication includes the score or the ‘capture’ resulting from this chase, representing an additional step of archiving.

 

 

PRACTICAL

The Artist talk will take place in the CIAP exhibition space on the first floor of the C-mine energy building. After Miriam has introduced us to the story behind her research project, we set off with Johan Schoonaerts, an ornithologist affiliated with the local ‘Zang- en Kleurvogels Genk’  association. We start at our exhibition space to go outside, don’t forget to put on appropriate walking shoes. Johan will teach us how to observe the local Winterslag bird species and how to recognise their song patterns. This enables us to round off the afternoon, by sitting on the headed daybed together, while listening to The Chase with a trained ear. You can book on the spot or via this link.

 

 

SPEAKERS

 Miriam Sentler (1994, Aachen) is an artist based in Rotterdam, a graduate of Fine Arts at the Maastricht Academy of Fine Arts and Artistic Research at UVA Amsterdam. 

 

Drake Stoughton is a componist and a recent graduate from The Eastman School of Music where he studied saxophone, literature and performance under the tutelage of Dr. Chien Kwan Lin.

 

Johan Schoonaert is affiliated with the Zang- en Kleurvogel Genk association. They have been active in Genk and the surrounding area since 1951 in keeping, caring for and breeding (ornamental)birds. From the moment they were founded they have been affiliated with AOB, the overarching national ornithological association. 

 

 

 

 

This event is part of the events planned on and around the heated daybed, a public sculpture created by Ciel Grommen and Maximiliaan Royakkers within the scope of their project Le Paysage Ménagé. This project has been realised with the support of the Flemish Community, the City of Genk, FLACC and CIAP members. 

 

Ciel Grommen, Maximiliaan Royakkers & Accattone
Domesticity and Hospitality
03.07.2021

Ciel Grommen, Maximiliaan Royakkers & Accattone
Domesticity and Hospitality
03.07.2021

an afternoon of talks and encounters in and about the disturbed landscape 

 

special guests: Sophie Dars & Carlo Menon from Accattone magazine

 

Join us on the 3rd of July for an afternoon dedicated to the artistic and architectural practices dealing with landscape as a site of domesticity and hospitality.  

 

This special day marks a turning point for the long-term research project Le Paysage Ménagé, initiated in 2019 by Ciel Grommen and Maximiliaan Royakkers on commission by CIAP and FLACC. 

 

Departing from the question of how to inhabit the ‘disturbed landscape’of Winterslag, the project envisioned a series of spatial interventions, ‘furniture’ for the landscape that invite us to make new connections with and within it. Starting this summer, the heated daybed which the artist are currently constructing on the C-mine site, will become a public furniture, used by the art organisations, guests, neighbours, but also providing shelter for small animals and breeding ground for plants.

The talk is the first episode in the series of events planned on and around the heated daybed, and bringing together its different users. 

 

PROGRAMME

  • 3.00-3.30 PM Artist talk with Ciel Grommen and Maximiliaan Royakkers
  • 3.45-4.15 PM Talk with Sophie Dars & Carlo Menon from Accattone 
  • 4.30-5.00 PM Q&A on and around the heated daybed
  • 3.00-6.00 PM Launch of the edition Verwarmde aarde, verstoorde grond by Grommen & Royakkers

 

The afternoon starts with a talk by the two artists behind Le Paysage Ménagé — Ciel Grommen and Maximiliaan Royakkers, who will take us on a visual journey through their research, going back to the concepts underpinning the project. Making their way through their archive, the artists will talk about their experience of working with ‘disturbed landscapes’, about  ‘furnishing’ instead of ‘developing’, and they will share amazing stories they ‘unearthed’ in the course of the project. It is a moment of reflection on the values and ambitions from which Le Paysage Ménagé originated, and at the same time, an opportunity to open the project up and re-embed it in a broader context.

 

This is where the presentation by Sophie Dars & Carlo Menon, the editors of Accattone magazine, comes in. Sophie and Carlo will share some insight into the making of the magazine — or, as they call it, ‘an exhibition on paper’— and they will zoom in on a few specific practices featured in the latest, 7th issue, deal with open-air domesticity and the diplomatic hospitality of land.

 

Following the two presentations, all guests are invited to join the artists and the editors for an informal Q&A moment on and around the platform. This moment will also mark the official launch of the edition Verwarmde aarde, verstoorde grond developed by Ciel and Max in collaboration with CIAP.

 

PRACTICAL

Both presentations will take place at C-mine (specific location TBC) and the Q&A will take place at the heated daybed, on the C-mine site (see the map).

 

Throughout the entire afternoon, the edition, the 7th issue of Accattone magazine and other related publications will be displayed and distributed at the CIAP stand at the daybed.

 

SPEAKERS

Ciel Grommen  (°1989, Sint-Truiden) and Maximiliaan Royakkers (°1988, Hasselt) are a duo of artists/architects, whose work on the threshold of artistic research, education and spatial design questions present social, political and ecological dynamics. Often taking complex social contexts anddisturbed landscapes as a starting point, Grommen and Royakkers develop their projects through extensive fieldwork, spatial interventions, and other interactive, participatory formats. Their role as spatial practitioners involves weaving of new narratives into spaces and testing out alternative ways of living-together, inhabiting, and relating to our environments.

 

Accattone explores minor practices in art and architecture through the specific means of the printed magazine. As an exhibition on paper, each issue is a montage of contributions whose shared positions towards reality, history and representation resonate with one another. A-periodical, self-published and non-subsidized, Accattone was launched in 2014 by two architects (Sophie Dars & Carlo Menon) and two graphic designers (Ismaël Bennani & Orfée Grandhomme), joined in 2019 by architect Galaad Van Daele. 

 

Contributors to Accattone #7 (May 2021): Costantino Nivola, SNCDA et al. at the Venice Architecture Biennale, Aglaia Konrad, Alice Paris on De Smet Vermeulen, Osamu Ishiyama and Kenji Kawai, TEN, Wim Cuyvers, moilesautresart, DSCTHK, Piovenefabi, Emmanuelle Chiappone Piriou on Superstudio, Carlo Goncalves on Smiljan Radic, The Museum of Mistakes on Arakawa & Gins, and Zuber panoramic wallpapers.

 

 

This is the first in the series of events planned on and around the heated daybed, a public sculpture created by Ciel Grommen and Maximiliaan Royakkers within the scope of the project Le Paysage Ménagé.

The project has been realised in co-production with FLACC — workplace for visual artists, and with the support of the Flemish Community, the City of Genk, and CIAP members. Le Paysage Ménagé is part of ELEMENTS — a collaboration between art and cultural institutions in Dutch Limburg, Belgian Limburg and Liège and North Rhine-Westphalia.

 

Luca Vanello & Sina Hensel
Temporalities of the studio
08.11.2020

Luca Vanello & Sina Hensel
Temporalities of the studio
08.11.2020

Artist talk

 

Through their practices, Sina Hensel and Luca Vanello explore the artwork as a process, an ongoing event rather than a finished object. During the talk, they will discuss how the mutability and various temporalities of the materials they use affect their artworks.
Both Sina Hensel and Luca Vanello participate in the exhibition ‘Petrichor’ at CIAP Kunstverein, curated by Lucie Ménard.

 

Named after the earthy scent emanating from dry soil during summer rain, Petrichor echoes the fleeting nature of the artistic practices presented in the exhibition. What if artworks were envisioned as continuously changing processes, appearing and disappearing in the exhibition space like meteorological phenomena?
Crystallising or distorting memories, accelerating or slowing down the materials’ lifecycle, the invited artists explore different strategies of dealing with time that both surrounds and composes us.

 

The speakers:

 

Sina Hensel (°1986, Mainz) shares her studio with various species of plants, algae and other organisms that partake in her creative process. The acts of researching, nurturing, and harvesting are all embedded in the layers of her paintings which, just like the natural pigments she uses, alter with time and changing atmospheric conditions. Hensel received her MA from the Academy of Fine Arts in Hamburg (2013) and in 2019-2020 she was a resident at the Higher Institute for Fine Arts (HISK), Ghent. She is currently holding a research/teaching position at the Chair of Visuals Art in Architecture Department at RWTH Aachen University.

 

Luca Vanello (°1986, Trieste) combines perishable and organic materials with durable, synthetic ones to create his hybrid objects. Playing with various ways to alter the life cycles of the materials, he creates sculptures that seem to be frozen in time, neither developing nor deteriorating, and in doing so, he highlights the vulnerability and circularity of all living organisms.
Vanello graduated with MFA from Slade School of Fine Arts, London (2015). He is a 2020 laureate of HISK, Ghent.

 

Lucie Ménard (°1987, Caen) is an independent curator living in Lille. She is a 2019 alumna of the international post-graduate program Curatorial Studies at KASK School of Arts, Ghent. Since 2012, she has worked as the head of education programmes at Le Fresnoy — Studio national des arts contemporains in Tourcoing. She is one of the co-founders of moss, a cross-border collective for curatorial projects founded in 2020 in Ghent with Lieselotte Egtberts, Elisa Maupas and Anna Stoppa.
She’s the laureate of the 2019 edition of ‘Lichen’, a prize for emerging curators, established by CIAP platform for contemporary art and the department of Curatorial Studies at KASK School of Arts to foster and support curatorial experimentation in Belgium.

 

 

Related projects

Related Projects

Petrichor
13.09–08.11.2020

Sasha Litvintseva & Beny Wagner
Book launch & talk
31.03.2021

Sasha Litvintseva & Beny Wagner
Book launch & talk
31.03.2021

 

The publication All Thoughts Fly: Monster, Taxonomy, Film by Sasha Litvintseva & Beny Wagner  is a continuation of a multimedia project that began with the film A Demonstration.

The book launch coincides with the closing of Litvintseva’s & Wagner’s exhibition A Demonstration at CIAP. During the event, the artists will speak with curator and writer Niekolaas Johannes Lekkerkerk about the book and their research.

The talk will be live-streamed on our website, on Wednesday the 31st of March. We start at 7pm. This event is held in English.

 

All Thoughts Fly: Monster, Taxonomy, Film is a narrative assemblage of prose and image. At once historical, theoretical and personal, the book continues the authors’ inquiry into the curious presence of taxonomies of monsters at the heart of Early Modern European science. The word ‘monster’ comes from the Latin ‘monstrare’, meaning ‘to show’, ‘to demonstrate’, ‘to reveal’. Picking up on this etymology, the authors explore monsters as prisms for modes of seeing and deciphering the natural world. When treated as perceptual apparatus, the monster also becomes a means of probing the medium of film and its relationship to indexicality, chance, corporeality, and metamorphosis. 

This book extends a multimedia project the authors began with their film A Demonstration (2020). The film’s underlying modular formal structure is here reconfigured and brought into new relations specific to the book as a medium.

 

The book is designed by Christophe Clarijs, co-produced by CIAP, and published by Sonic Acts – an interdisciplinary art organisation based in Amsterdam.

 

 

 

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