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Luca Vanello & Sina Hensel
Temporalities of the studio
08.11.2020

Luca Vanello & Sina Hensel
Temporalities of the studio
08.11.2020

Artist talk

 

Through their practices, Sina Hensel and Luca Vanello explore the artwork as a process, an ongoing event rather than a finished object. During the talk, they will discuss how the mutability and various temporalities of the materials they use affect their artworks.
Both Sina Hensel and Luca Vanello participate in the exhibition ‘Petrichor’ at CIAP Kunstverein, curated by Lucie Ménard.

 

Named after the earthy scent emanating from dry soil during summer rain, Petrichor echoes the fleeting nature of the artistic practices presented in the exhibition. What if artworks were envisioned as continuously changing processes, appearing and disappearing in the exhibition space like meteorological phenomena?
Crystallising or distorting memories, accelerating or slowing down the materials’ lifecycle, the invited artists explore different strategies of dealing with time that both surrounds and composes us.

 

The speakers:

 

Sina Hensel (°1986, Mainz) shares her studio with various species of plants, algae and other organisms that partake in her creative process. The acts of researching, nurturing, and harvesting are all embedded in the layers of her paintings which, just like the natural pigments she uses, alter with time and changing atmospheric conditions. Hensel received her MA from the Academy of Fine Arts in Hamburg (2013) and in 2019-2020 she was a resident at the Higher Institute for Fine Arts (HISK), Ghent. She is currently holding a research/teaching position at the Chair of Visuals Art in Architecture Department at RWTH Aachen University.

 

Luca Vanello (°1986, Trieste) combines perishable and organic materials with durable, synthetic ones to create his hybrid objects. Playing with various ways to alter the life cycles of the materials, he creates sculptures that seem to be frozen in time, neither developing nor deteriorating, and in doing so, he highlights the vulnerability and circularity of all living organisms.
Vanello graduated with MFA from Slade School of Fine Arts, London (2015). He is a 2020 laureate of HISK, Ghent.

 

Lucie Ménard (°1987, Caen) is an independent curator living in Lille. She is a 2019 alumna of the international post-graduate program Curatorial Studies at KASK School of Arts, Ghent. Since 2012, she has worked as the head of education programmes at Le Fresnoy — Studio national des arts contemporains in Tourcoing. She is one of the co-founders of moss, a cross-border collective for curatorial projects founded in 2020 in Ghent with Lieselotte Egtberts, Elisa Maupas and Anna Stoppa.
She’s the laureate of the 2019 edition of ‘Lichen’, a prize for emerging curators, established by CIAP platform for contemporary art and the department of Curatorial Studies at KASK School of Arts to foster and support curatorial experimentation in Belgium.

 

 

Related projects

Sasha Litvintseva & Beny Wagner
Book launch & talk
31.03.2021

Sasha Litvintseva & Beny Wagner
Book launch & talk
31.03.2021

 

The publication All Thoughts Fly: Monster, Taxonomy, Film by Sasha Litvintseva & Beny Wagner  is a continuation of a multimedia project that began with the film A Demonstration.

The book launch coincides with the closing of Litvintseva’s & Wagner’s exhibition A Demonstration at CIAP. During the event, the artists will speak with curator and writer Niekolaas Johannes Lekkerkerk about the book and their research.

The talk will be live-streamed on our website, on Wednesday the 31st of March. We start at 7pm. This event is held in English.

 

All Thoughts Fly: Monster, Taxonomy, Film is a narrative assemblage of prose and image. At once historical, theoretical and personal, the book continues the authors’ inquiry into the curious presence of taxonomies of monsters at the heart of Early Modern European science. The word ‘monster’ comes from the Latin ‘monstrare’, meaning ‘to show’, ‘to demonstrate’, ‘to reveal’. Picking up on this etymology, the authors explore monsters as prisms for modes of seeing and deciphering the natural world. When treated as perceptual apparatus, the monster also becomes a means of probing the medium of film and its relationship to indexicality, chance, corporeality, and metamorphosis. 

This book extends a multimedia project the authors began with their film A Demonstration (2020). The film’s underlying modular formal structure is here reconfigured and brought into new relations specific to the book as a medium.

 

The book is designed by Christophe Clarijs, co-produced by CIAP, and published by Sonic Acts – an interdisciplinary art organisation based in Amsterdam.

 

 

 

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